RUSSIA - Road Map
Fast facts
Dial Code: +7
Population: 146,1 million
Language: Russian
Capital City: Moscow
Currency: Russian Ruble (RUB)
GDP Per Capita: $29,485
Publishing & Performance rights
PUBLISHING
Most Russians perceive recorded music as free - public domain. This attitude was reinforced by a practice called Samizdat, which is the private reproduction, copying, self-publishing and distribution of unwanted or censored products in the Soviet Union.
The largest music archive on the Russian internet, VKontakte, provides easy and free access to all kinds of music.
Media, PR & Promotion
MEDIA
TV:
Few central TV and radio stations play new music on the air. In terms of genre, this leads to a dominance of Russian pop and chanson. TV, otherwise the most powerful media channel in Russia, is not the most relevant for new music. Relatively important channels of cultural programming include Dozd, Moscow 24, Pyatnitsa!, U , Peretz. Historically, Russian pop-oriented music television was represented in Russia on Muz-TV and MTV Russia.
Radio:
Ownership concentration is particularly typical of the radio sector. Internet radio broadcasting is well known and practiced. Moskva.FM is an online service that enables online listening to 53 radio stations in Moscow, and provides information about playlists, rotations and radio lists.
Newspapers:
Top national publications include:
Specialized magazines:
Cultural publications, especially important for the music offer, include:
Afisha.ru (paper and net)
Colta.Ru TimeOut (paper, especially strong in St.Petersburg).
The music press has never been well developed in Russia because the music industry has never paid for advertising in the music press and the sources of funding were scarce. The Russian edition of Rolling Stone is the only traditional music magazine that can be considered influential. Another local edition of an international publication with a significant focus on music is Vice, which will also be online.
Zvuki.Ru is a well-known internet-based channel dedicated to music, and includes all sub-genres of music journalism.
Jazz.Ru (since 1997) is a resource on all topics related to jazz music, exceptionally professional and unparalleled in Russian niche music journalism.
LookAtMe.Ru is a trendy internet-based medium with a strong social media component where users are inspired to create their own content.
PR AGENCIES
Companies that offer PR - support for artists and music events exist, but most typically the organizer itself is behind PR campaigns, as well as the promoter, booker or record company that presents the artist. It is rather unusual for an international player to make agreements with a Russian PR agency. However, the companies listed below can secure coverage in traditional Russian media if needed.
Live & Venues
LIVE
Rock-on-the-Volga (692,000 visitors in 2013)
Alexander Cheparukhin and his Greenwave Music focus on world, experimental, off-mainstream music and organize festivals on behalf of regional authorities. Launches WOMAD in Russia in Pyatigorsk / Stavropol Territory.
Maxidrom (50,000 visitors)
Nashestvie (about 150,000 visitors)
Stereoleto, St Petersburg
SKIF Festival / EthnoMechanica (May / September), St.Petersburg. Organized on and by Sergey Kuryokhin Modern Art Center by Natasha Podobed. The festival's budget is mainly based on financial support from local authorities. Swans, Terry Riley, KK Null, Psychic TV, Michael Rother (New!).
Jazz festivals are quite well developed in the region (compared to the lack of pop - rock festivals). Many are traditionally held in State Philharmonic Halls. St.Petersburg, in particular, hosts several mainstream jazz festivals throughout the year:
White Night Swing
Jazz at the Hermitage
Jazz-on-the-Volga
SibJazz
FestEni
Jazz Masterskaya in Arkhangelsk organizes the annual Vladimir Rezitsky Festival
VENUES
Moscow:
St.Petersburg:
BOOKING AGENTS
Live Nation (from 2013)
SAV Entertainment, Moscow
Melnitsa, Moscow
Euro Entertainment, Moscow
PMI, St.Petersburg
CAT, Moscow
NCA, St.Petersburg
TCI, Moscow
Caviar Lounge, Moscow
Light Music, St.Petersburg. Owns the StereoLeto festival. Historically active in Scandinavian music. Nick Cave, Kraftwerk, Franz Ferdinand, Röyksopp, Jimi Tenor.
Spika, Moscow
Global Clubbing, Moscow
Pop Farm, Moscow. Owns the festival Subbotnik.
Polygon, St.Petersburg
Other
MUSIC INDUSTRY NETWORKING ARENAS
Russian federal authorities are only vaguely familiar with the concept of cultural exports in popular genres. The few sporadic examples of exports of Russian music remain a matter of private enthusiasm or initiatives from foreign cultural diplomats. In the Russian industry, there is an understanding of the need for shop windows and networking arenas in the form of industry meetings, but no Russian events of this type are perceived as absolutely necessary to be present at by international professionals today.
Colisium - during the NAMM Music Fair, was first held in May in Moscow in 2012. Today, the fair is mainly a meeting place for Russian professionals from the regions, with professionals from Moscow and St. Petersburg invited as speakers and panelists. Most of the programming is in Russian.
Sochi Winter Music Conference, since 2006. The event was initiated by the professional dance club scene in Moscow. Most of the programming is in Russian.
In 2013, the industry meeting V-Rox was founded in the eastern port city of Vladivostok by the national star band Mumiy Troll in collaboration with the local authorities. The indisputably interesting initiative focuses on the Asian, Australian and North American markets. It is unclear whether it will be relevant to European professionals.
Rasia.com - big conference, showcase arena aimed at Asia.
Russian industry participates in major international trade fairs and showcase festivals. Tallinn Music Week in Estonia has taken a place in this niche and has become a showcase and a platform for, among others, Russian up-and-coming bands and artists.